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Torre d’en Galmés, along with other sites around Menorca, is absolutely covered with the remains of limestone rubble from collapsed structures. This was the primary building material of the megalithic domestic and ritual spaces of the Bronze and Iron Age, and in the Medieval Period. The presence of all this stone means that excavation involves an incredible amount of rock-moving and trained eyes to see the remains of walls or features. This summer, the MAP team focused heavily on the task of clearing up the central patio and surrounding walls of Spatial Unit 7, a series of later Medieval period rooms which were constructed with the incorporation of rubble and remaining megalithic limestone rocks used in an earlier Post-Talayotic structure.

Even with a focus on defining the architecture, plenty of ceramic sherds were found as well, a substantial portion of which consisted of the remains of ceramic roof tiles, with some areas of preserved tile-falls and mortar. Other ceramic sherds appeared as repio, the fill used in the construction of the stone walls, and consisted of a mix of Post-Talayotic, Roman, Punic, Islamic, and other typologies of ceramics. In addition to excavation, our work this summer was concerned with lab work and data collection. I practiced taking spatial data points using a total station to outline features and interesting in situ finds, mark spots for phytolith and archaeobotanical sampling, set up new areas to excavate, and track the depth of our excavations. This is a skill I continued to use at another project, the Frost Town Archaeology field school, later in the summer, where I got to supervise students and teach them about archaeological techniques and collecting data. We also used this season to organize all the old finds from past seasons and input the information into an updated database. This was an insight into the reality of the meticulous process of documenting and photographing the collection to decide what needs to be kept physically, and what only needs to be kept digitally.

Returning to Menorca this summer also gave me a chance to revisit the basis of my thesis that I wrote for the SUNY Brockport Honors College, which was advised by Dr. Alexander Smith. Last summer in 2023, I was incredibly lucky to have left Menorca with an idea for my thesis, investigating interpretations of indigenous Post-Talayotic ritual objects. I spent both semesters of my senior year preparing my research and I was proudly able to present it at SUNY Brockport’s’ Scholars Day on April 15th and at the Summer Undergraduate Research Conference at Suffolk Community College on April 26th. This summer I went back to the Museu de Menorca with clearer goals in mind of what objects and documents I wanted to see in order to further expand on my research in the future.

My involvement with the MAP team these past two summers has given me numerous insights and hands-on opportunities to explore my interests in the field. I am so grateful to the team for welcoming me and helping me to build my professional network in the field. I look forward to continuing my work with the team in future excavation seasons, and to exploring other projects. I extend my thanks to Mrs. Carolyn Midkiff-Strange and the Midkiff-Strange Fieldwork Scholarship, ����, the entire Menorca Archaeological Project team, the Museu de Menorca, and SUNY Brockport.

Evelyn Patterson graduated in May of 2024 from SUNY Brockport with a BS in Anthropology and a minor in Museum Studies and Public History. In addition to working with the Menorca Archaeological Project in Spain, Evelyn has also excavated with the Frost Town Archaeology Project in the Finger Lakes region of New York. She has assisted in laboratory research internships, created project signage and academic posters, and has presented a completed independent research thesis.

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